In this Essay, we will explore how William Blake’s masterpiece describes Satan in his original glory. One can see in his perverse appropriation of the symbols of kingship not only his selfish aspiration to God’s own power, but also an anticipation of his ignominious fall from grace. Nowhere are the premortal events related to this theme described more fully and accurately than in Moses 4:1–4.

The post Essay #59: Moses Witnesses the Fall (Moses 4): Satan’s Original Glory and the Symbols of Kingship (Moses 4:1–4) first appeared on The Interpreter Foundation.
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